In pursuit of virtuosity: gendering a??mastera?? pieces of nineteenth-century South African indigenous arts

Anitra Nettleton

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In pursuit of virtuosity: gendering a??mastera?? pieces of nineteenth-century South African indigenous arts

机译：为了追求技巧：将“ Mastera”定为性别十九世纪的南非土著艺术作品

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In nineteenth-century South Africa two different forms of facture of objects were encouraged by European colonial intervention. One, woodcarving, was male and produced many objects which have been declared masterpieces. The other, beadwork, was a female craft and was regarded as less valuable. This article examines the ways in which these values were located in the visible virtuosity of the facture of objects and through the visual representation of objects and people, drawing on well-documented pieces from the collections of the British Museum and nineteenth-century photographs.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/1472586X.2012.717748

机译：在19世纪的南非，欧洲殖民地干预鼓励了两种不同形式的物体变形。其中一种是木雕，是雄性的，生产了许多被称为杰作的物品。另一个是珠饰，是女性的手工艺品，被认为价值不高。本文利用大英博物馆藏品和19世纪摄影作品中记载充分的文献资料，研究了这些价值如何在可见的物体结构艺术中以及通过物体和人的视觉表现方式中的定位。全文下载全文相关变量var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”，发布时间：“ ra-4dff56cd6bb1830b” }; var addthis_config = {“ data_track_addressbar”：true，“ ui_click”：true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/1472586X.2012.717748

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《Visual Studies》 |2012年第3期|221-236|共16页
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Anitra Nettleton;
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In pursuit of virtuosity: gendering a??mastera?? pieces of nineteenth-century South African indigenous arts

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