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Joseph Noel Paton's Bond and Free: Five Sketches Illustrative of Slavery

机译:约瑟夫·诺埃尔·佩顿的《束缚与自由:奴隶制的五幅素描》

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摘要

Royal Scottish Academician Joseph Noel Paton (1821-1901), famous for his fairy and religious paintings, also produced a powerful yet forgotten series of drawings on slavery primarily between 1857 and ca. 1863. These appeared in Bond and Free: Five Sketches Illustrative of Slavery, a book-cum-portfolio. The quintet was photographed by Thomas Annan and offered to members/subscribers of the Art-Union of Glasgow. The subject was clearly linked to the American Civil War, but accompanying biblical verses generated diverse meanings. The inclusion of mixed-race figures, especially women, is significant, as are connections with contemporary abolitionist literature. Verbum Dei (Word of God), The Sale, The Capture, The Rescue, and Freedom represent separate phases, but only three formed an abbreviated narrative when published in 1865 in the Sunday Magazine. I analyze the visual encoding of each of the five images with special emphasis on the unusual message and vision of a new social order in the post-emancipation scene Freedom.
机译:苏格兰皇家院士约瑟夫·诺埃尔·帕顿(Joseph Noel Paton,1821-1901年)以其童话和宗教画而闻名,主要在1857年至1982年之间创作了一系列有力却被人们遗忘的奴隶制素描。 1863年。这些出现在《邦德与自由:奴隶制的五个草图说明》中,这是一本兼有书本的作品集。五重奏由托马斯·安南(Thomas Annan)拍摄,并提供给格拉斯哥艺术联盟的会员/订户。这个主题显然与美国内战有关,但是伴随着圣经的经文产生了不同的含义。混血人物,尤其是女性,与当代废奴主义文学的联系也很重要。 Verbum Dei(上帝之道),The Sale,The Capture,Resue和Freedom分别代表不同的阶段,但1865年在《周日杂志》上发表时,只有三个阶段形成了简短的叙述。我分析了五幅图像中每幅图像的视觉编码,特别强调了解放后景象中的不寻常信息和新社会秩序的景象。

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