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(Photographic) Subject-matter: Fritz Saxl Indexing Mnemosyne-A Stratigraphy of the Warburg Institute Photographic Collection's System

机译:(摄影)主题:Fritz Saxl索引编目Mnemosyne-Warburg研究所摄影收藏系统的地层学

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Aby Warburg (1866-1929) created his photographic collection in Hamburg as a research tool. As new documents now reveal, in the late 1920s, a first system, focused on "subject matter," was planned for the Bildersammlung (image collection) of Warburg's library. The origin of the current iconographic arrangement has been dated to after the Institute's move from Hamburg to London in 1933. The new source discussed here adds some elements to this story: the first step of the iconographic turn that occurred in London was initially designed by Fritz Saxl (1890-1948) in Hamburg within the context of work for the atlas Mnemosyne. This paper discusses the role of Aby Warburg and Fritz Saxl in developing the Kulturwissenschaftliche Bibliothek Warburg as a dual entity library, with an image collection ideally conceived as a counterpart of the book collection. It also aims to raise some questions about the impact of photography on the praxis of description, interpretation, and classification of images as core questions of early "iconological studies."
机译:阿比·沃伯格(Aby Warburg,1866-1929年)在汉堡创建了自己的摄影作品集,作为研究工具。正如现在的新文件所揭示的那样,在1920年代后期,计划为Warburg图书馆的Bildersammlung(图像收集)设计第一个专注于“主题物质”的系统。当前标志性安排的起源可以追溯到1933年研究所从汉堡搬到伦敦之后。这里讨论的新资料为这个故事增添了一些元素:发生在伦敦的标志性转变的第一步最初是由Fritz设计的Saxl(1890-1948)在汉堡Mnemosyne地图集的背景下工作。本文讨论了Aby Warburg和Fritz Saxl在发展Kulturwissenschaftliche Bibliothek Warburg作为双实体图书馆中的作用,其图像收藏被理想地认为是与书籍收藏相对应的。它还旨在提出一些有关摄影对图像描述,解释和分类的影响的问题,这些问题是早期“生态学研究”的核心问题。

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