Architecture and photography are entangled mass media. Since the advent of photography in the nineteenth century, this new medium has played a critical role in the dissemination of architectural ideas, contributing significantly to, and indeed changing the nature of, discourses of architecture, including both modern or contemporary debates and histories of architecture.1 Claire Zimmerman's book examines these relationships. Tracing a particular (and well-known) line of German modernism associated closely with Ludwig Mies van der Rohe (1886-1969), she offers a multifaceted approach to the study of the interrelationship between photography and twentieth-century architecture. Inherently interdisciplinary and deeply researched, her book adds an important contribution to scholarship on modern architecture and its photographic representation.
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机译：建筑和摄影是纠缠的大众媒体。自19世纪摄影术问世以来，这种新媒介在传播建筑理念方面发挥了关键作用，对建筑学话语（包括现代或当代建筑辩论和建筑史）做出了重大贡献，并确实改变了建筑学的本质.1克莱尔·齐默尔曼（Claire Zimmerman）的书研究了这些关系。她追寻与路德维希·密斯·凡·德·罗（Ludwig Mies van der Rohe，1886年-1969年）密切相关的德国现代主义的特定（著名）路线，为研究摄影与20世纪建筑之间的相互关系提供了多方面的方法。她的书本来就是跨学科的，并且经过了深入的研究，为现代建筑学及其摄影表现的学术研究做出了重要贡献。
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