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Creative economy policy in developing countries: The case of Indonesia

机译:发展中国家的创意经济政策:以印度尼西亚为例

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This paper investigates how the creative economy discourse is interpreted and implemented in the context of Indonesia as a developing country. Our main conclusion is that the discourse is interpreted differently across localities. Bandung appears to be the only locality whose interpretation aligns with the general understanding of a creative economy that emphasises knowledge creation and innovation. This was made possible by the strong support from academia and communities who wanted to experiment with this policy idea. Our study also provides an insight into a creative economy developing not only as a discourse, but also as a workable framework for development policies, in this city. Conversely, other cities seem to pragmatically use the policy idea without considering the local context in a rebranding exercise in order to drive economic development, whereby traditional cultural industries are relabelled as creative despite performing hardly any innovation activities. Despite this, Bandung illustrates that there are possibilities for a developing country such as Indonesia to adopt the vision of a creative economy by reshaping local institutions to support successful experimentation with this new idea.
机译:本文研究了在印度尼西亚作为发展中国家的背景下如何解释和实施创意经济话语。我们的主要结论是,各地对话语的理解不同。万隆似乎是唯一一个对其解释与强调知识创造和创新的创意经济的一般理解相一致的地区。这得益于学术界和社区的大力支持,他们希望尝试这一政策构想。我们的研究还提供了对创意经济的洞察力,其不仅是作为该城市的一种话语,而且是一种可行的发展政策框架。相反,其他城市似乎为了不影响品牌发展而务实地使用该政策思想,以推动经济发展,尽管几乎不进行任何创新活动,但传统文化产业仍被重新标记为具有创造性的标签。尽管如此,万隆还是表明,印度尼西亚等发展中国家可能会通过重塑当地机构来支持这一新想法的成功试验,来采纳创意经济的愿景。

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