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SHIFTS IN DESIGN

机译:设计中的移位

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Imagine that after years of hard work, you've managed to make your product the top seller in its industry. Your customers give you kudos, the trade press gives you awards, and your brand is a household name. When you speak in public, you can say things like: "If God didn't make it, our engineers probably did." And you'd be right. A success? Hardly. This is exactly where Autodesk was a year and a half ago, and it threw CEO Carol Bartz into a funk. The problem wasn't what was going on within Autodesk, but what was happening outside. Twenty-year-olds with spiked hair and all-black wardrobes were getting solid investments for shaky ideas. A new Web shopping site called Cyberian Outpost was making a name for itself by airing ads showing a cannon firing gerbils at a wall. It really was a strange new world.
机译:想象一下,经过多年的努力,您已经成功地使产品成为该行业的最畅销产品。客户给您荣誉,行业新闻给您奖励,您的品牌就是家喻户晓的名字。当您在公共场合讲话时,您可以说:“如果上帝没有做到,我们的工程师可能做到了。”而且你会是对的。成功?几乎不。这正是一年半前的Autodesk所在,它使首席执行官Carol Bartz陷入了沉思。问题不是Autodesk内部发生了什么,而是外部发生了什么。二十岁的头发扎着,全黑的衣橱的年轻人正在为摇摇欲坠的想法投入大量资金。一个名为Cyber​​ian Outpost的新网上购物网站正在通过播放广告来展示自己的名字,这些广告展示了用大炮射击沙鼠的墙壁。确实是一个陌生的新世界。

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  • 来源
    《Upside》 |2000年第125期|p.289-290292294296|共5页
  • 作者

    Joan Indiana Rigdon;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 f;
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