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Two-Hit Wonders

机译:两命奇观

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When no doubt first took its music to Los Angeles radio station K-ROQ in 1992, the message from the grunge-obsessed program director was not your polite kiss-off: "It will take an act of God for this band to get on the radio." The Lord works in mysterious ways. Grunge fell off the cultural cliff, and No Doubt's mix of punk, pop and ska alchemized into the carefree, radio-friendly sound of the mid-'90s. Tragic Kingdom sold 15 million copies and turned singer Gwen Stefani into the It Girl for teenagers of both sexes. All the while, the band members deflected criticism with aplomb, joking about their 15 minutes and telling anyone who would listen that even if they were only one-hit wonders, that's one more hit than most people ever get.
机译:当毫无疑问地在1992年将音乐首次带到洛杉矶广播电台K-ROQ时,这位痴迷于垃圾的节目总监的信息并不是您的客气之吻:“这支乐队要走上这条路,这将是上帝的作为。无线电。”主以神秘的方式工作。垃圾从文化悬崖上掉下来,毫无疑问,朋克,流行音乐和斯卡混音融合成90年代中期无忧无虑,无线电友好的声音。 《悲惨的王国》售出了1500万张,并将歌手格温·史蒂芬妮(Gwen Stefani)变成了面向男女两性的It Girl。一直以来,乐队成员都用沉着的口吻偏转批评,开玩笑谈论他们的15分钟,并告诉任何愿意听的人,即使他们只是一击奇观,但比大多数人都遭受的打击还要多。

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