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A Thoroughly Modern Man

机译:彻底的现代人

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Even if we admit that the 20th century was not a great era for religious art, that doesn't mean it was not an age of faith among American artists. For most of his career, Charles Sheeler (1883-1965) was in the grip of two consuming devotions-the cult of modernism and the religion of the Industrial Age. It was his great intuition to bring the two together in paintings and photographs of what you might call exalted exactitude. Sheeler called it Precisionism. It was a taut, hard-edged and sanitary style that bound art and industry into hymns of praise to All Things New.
机译:即使我们承认20世纪不是宗教艺术的伟大时代,也并不意味着它不是美国艺术家的信仰时代。查尔斯·谢勒(Charles Sheeler,1883-1965年)在他的职业生涯的大部分时间里,都受到两种消耗性的追捧:现代主义的崇拜和工业时代的宗教。他的直觉是将两者结合在绘画和照片中,这就是所谓的崇高精确性。 Sheeler称它为Precisionism。这是一种紧绷,边缘化和卫生的风格,将艺术和工业束缚在赞美新事物的赞美诗中。

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