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Introduction: Art, 'Enclave Theory' and the Communist Imaginary

机译:简介:艺术,“飞地理论”与共产主义的想象

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This article looks at developments in post-Stalinist communist theory in recent continental political philosophy (Flix Guattari, Jean-Luc Nancy, Antonio Negri, Alain Badiou and Slavoj iek) and the emergence of utopian 'enclave' theory and practices (spaces of autonomous cultural resistance) as they relate to new forms of sociability and criticality in contemporary art. As such it connects a discussion of key notions of the 'new communist' theory, such as 'communist form' and a 'communism of the senses', to the social, political and discursive ambitions of the new relational and post-relational artistic milieu. The article argues that new forms of social practice engaged with critical notions of community share a political and cultural framework with post-Stalinist and post-capitalist notions of community in the 'new communist' theory (in particular Nancy).
机译:本文着眼于斯大林主义后共产主义理论在近代大陆政治哲学中的发展(弗利克斯·瓜塔里,让·卢克·南希,安东尼奥·内格里,阿兰·巴迪乌和斯拉沃伊克)以及乌托邦“飞地”理论和实践的出现(自治文化的空间)阻力),因为它们与当代艺术中的社交性和批评性的新形式有关。这样一来,就可以将对“新共产主义”理论的关键概念的讨论,例如“共产主义形式”和“感官共产主义”,与新的关系和后关系艺术环境的社会,政治和话语野心联系起来。 。文章认为,与社区的批判概念联系在一起的新形式的社会实践与“新共产主义”理论(特别是南希)中的后斯大林主义和后资本主义社区概念共享政治和文化框架。

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