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Remembering the Art of Communism: Analysis of Contradiction: Approaches and Transgressions

机译:记住共产主义的艺术:矛盾分析:方法和违法行为

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摘要

The author's intention in this article is to question the relations of 'modernism' and 'Communism' in specific cultural texts, ie, artworks and artistic paradigms. In Cold War Western literature we usually find authors who write about the difference and distance between modernism in the West and Communism in the East of Europe, in other words, about the East-West divide in the world. Today it seems as if these differences and distances vaporise and - in memory or in erased cultural traces - we recognise behind them different modes of modernism. Modernism and Communism are no longer seen as relatively different ('for modernism' and 'against modern'), but as relatively different answers to similarly contradictory stimuli.
机译:作者在本文中的意图是质疑特定文化文本(例如艺术作品和艺术范式)中“现代主义”和“共产主义”之间的关系。在冷战时期的西方文学中,我们通常会发现一些作家,他们撰写了西方现代主义与欧洲东部共产主义之间的差异和距离,换句话说,是关于世界东西方鸿沟的文章。今天,似乎这些差异和距离消失了,并且-在记忆中或在文化痕迹消失后-我们认识到它们背后的现代主义模式不同。现代主义和共产主义不再被看作是相对不同的(“为现代主义”和“反对现代主义”),而是对相似矛盾的刺激的相对不同的回答。

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