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Pretense Design: Surface over Substance

机译:假装设计:物质表面

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Danish designer Per Mollerup is at his best when he writes straightforwardly, as when he defines the central point of Pretense Design: "Pretense design pretends to be something it is not .... All thinking builds on concepts; design thinking needs the concept of pretense design. We think much more clearly about the pretense design category when it has a name" (p. 15).The chapter "Object Language" outlines the author's analysis of pretense design, "which in some way or another misrepresents its true nature in order to impress somebody" (p. 56). He becomes uncharacteristically entangled in a maze of seven dimensions: truth-bending levels ("the truth edited, the truth on standby, and the truth suspended"), objectives, modes, perceptibility, roles, communication elements, and meanings. His several tables help show relationships between dimensions but also suggest that the whole scheme is convoluted.
机译:丹麦设计师每麦克风是最好的,当他直截了当地写下时,他定义了借口设计的中心点:“假装设计假装是它不是......所有思维都在概念上建立;设计思维需要概念假装设计。我们在有一个名称时更清楚地思考借口设计类别“(第15页)。本章“对象语言”概述了作者对借口设计的分析,“这在某种程度上或其他歪曲了这是真正的本性,以便给人留下深刻印象”(第56页)。他变得无声地缠绕在七个方面的迷宫中:真相弯曲水平(“编辑的真相,待机的真相以及真相暂停”),目标,模式,可见性,角色,通信元素和含义。他的几张桌子有助于展示尺寸之间的关系,但也表明整个方案是复杂的。

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  • 来源
    《Technical communication》 |2020年第1期|114-115|共2页
  • 作者

    Avon J. Murphy;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 21:00:40

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