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Chinese Art in the Social Context: Unfolding the Interplay of the 'Four Enemies'

机译:社会背景下的中国艺术:展现“四个敌人”的相互作用

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摘要

Chinese art has an important status in the world. The aesthetic value of Chinese art is embedded in the social context. The meanings of art to human beings are perceived through their inner values that could limit their vision regarding the systems of interest. Unfolding the values and sweeping-in' the social, cultural, political and economic considerations could provide systemic insights into the complex world. Based on Churchman's unfolding' concept, this study examined the implications of politics, morality and religion in regard to the aesthetic system of Chinese art. The results show that the interactions of the four enemies' have had a deep influence on Chinese art and generated artistic styles and forms that should be interpreted in their temporal and social contexts to acquire the whole meaning of the works. The implications and potential sweeping-in of other considerations in the social context are also discussed. Copyright (c) 2014 John Wiley & Sons, Ltd.
机译:中国艺术在世界上具有重要地位。中国艺术的审美价值被嵌入到社会环境中。艺术对人类的意义是通过其内在价值来感知的,这可能会限制他们对所关注系统的视野。展现价值并深入社会,文化,政治和经济方面的考虑,可以提供对复杂世界的系统见解。基于丘奇曼的“展开”概念,本研究考察了政治,道德和宗教对中国艺术审美体系的影响。结果表明,四个敌人的互动对中国艺术产生了深远的影响,并产生了应在其时空和社会语境中加以诠释的艺术风格和形式,以获取作品的全部含义。还讨论了社会环境中其他考虑因素的含义和潜在影响。版权所有(c)2014 John Wiley&Sons,Ltd.

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