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Goethe and Hegel in the Commissariat of Enlightenment: Anatoly Lunačarskij’s program of Bolshevik–Marxist aesthetics

机译:歌德与黑格尔在启蒙运动中:阿纳托利·卢纳恰斯基的布尔什维克-马克思主义美学纲领

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摘要

The study of the processes and methods through which elements of Hegelian philosophy and aesthetics have been appropriated and adjusted to the needs of Marxist–Leninist criticism is essential for understanding Bolshevik–Marxist aesthetics in the process of its consolidation into an official doctrine in Soviet Russia. By looking at the career of the Bolshevik Commissar of Enlightenment, Anatoly Lunačarskij, it is possible to discern the extent to which the process was forged by the unsanctioned presence of Goethe and Hegel. The article traces their important contributions in the causes of sustaining revolutionary romanticism and its eventual overcoming in favor of the rationality and solemnity of socialist realism.
机译:对黑格尔哲学和美学要素进行调整和调整以适应马克思列宁主义批评需求的过程和方法的研究,对于在布尔什维克-马克思主义美学巩固为苏维埃俄罗斯官方学说的过程中,对理解布尔什维克-马克思主义美学至关重要。通过考察布尔什维克启蒙委员会的职业生涯,阿纳托利·卢纳恰斯基(AnatolyLunačarskij),可以辨别出歌德和黑格尔未经批准的存在在多大程度上推动了这一进程。这篇文章追溯了他们在维持革命浪漫主义的原因及其最终克服有利于社会主义现实主义的合理性和庄严性方面的重要贡献。

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