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Materials and Techniques of a Spanish Renaissance Panel Painting

机译:西班牙文艺复兴时期面板绘画的材料和技术

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摘要

A technical examination of a Spanish altarpiece attributed to Bartolome Bermejo (1468-1495), belonging to the Hispanic Society of America, was carried out. Analytical methods used in this study were X-radiography, infrared refiectography, optical microscopy (reflected light and polarized light), cross-section staining tests, scanning electron microscopy, gas chromatography—mass spectrometry, Fourier transform infrared spectroscopy and carbon-14 dating. A number of unusual techniques were identified including: the use of cotton and flax fibres for internal strength in the halo relief, the lack of a bole layer, the use of an orange-coloured oil mordant under the gilding, the use of powdered gold over the entire gilded surface and the use of an egg-white binding medium. The carbon-14 dating placed the panel in the 1530s, which will lead to a new attribution.
机译:对属于美国西班牙裔学会的Bartolome Bermejo(1468-1495)的西班牙祭坛进行了技术检查。这项研究中使用的分析方法是X射线照相,红外反射照相,光学显微镜(反射光和偏振光),横截面染色测试,扫描电子显微镜,气相色谱-质谱,傅里叶变换红外光谱和碳14测年。确定了许多不同寻常的技术,包括:使用棉和亚麻纤维增强光晕的内部强度,缺少胆层,在镀金下使用橙色油媒,在其上使用金粉整个镀金表面,并使用蛋清结合剂。碳14约会将小组置于1530年代,这将导致新的归属。

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