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Fabrics for the twenty-first century: As artist canvas and for the structural reinforcement of easel paintings on canvas

机译:二十一世纪的织物:作为艺术家的帆布,用于画布上的画架结构的结构加固

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摘要

The requirements for, and assessment of, suitable fabrics for artist canvas and for the structural reinforcement of easel paintings on canvas are presented. Crucially, the aesthetic and kinaesthetic, as well as physical properties of the canvas fabrics have been taken into account. To evaluate the fabrics the following properties were measured: stiffness, ultimate tensile strength, moisture response, crimp, drape, and lustre. Fabrics investigated include cotton, linen, polyester, polyamides, and carbonized fibres. Although polyester is yet to match linen or cotton kinaesthetically or aesthetically, overall it exhibits the best combination of properties. However, the results have shown that even when raw fibre material has suitable properties the finished woven fabric may not. This is because of the strong influence of the woven geometry on the final behaviour. It has been found that drape and lustre are very good properties to quantify some aspects of the feel and look of fabrics, in the context of conservation, and to provide a common language to ensure that the specification incorporates these aspects.
机译:提出了对适用于艺术家画布以及对画布上的画架进行结构加固的合适织物的要求和评估。至关重要的是,已经考虑了帆布织物的美学和运动美学以及物理特性。为了评估织物,测量了以下性能:刚度,极限拉伸强度,湿气响应,卷曲,悬垂性和光泽。调查的织物包括棉,亚麻,聚酯,聚酰胺和碳化纤维。尽管从美学上或美学上来说,聚酯还不能与亚麻或棉布相提并论,但总的来说,它表现出了最佳的性能组合。然而,结果表明,即使当原始纤维材料具有合适的性能时,最终的机织织物也可能没有。这是因为编织的几何形状对最终行为的强烈影响。已经发现,在保存的情况下,悬垂性和光泽是很好的性质,用于量化织物的手感和外观的某些方面,并且提供通用语言以确保说明书包括这些方面。

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