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A note on Prussian blue in nineteenth-century Canton

机译:十九世纪广州的普鲁士蓝笔记

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The use of Prussian blue in nineteenth-century Japan has been extensively researched, particularly in relation to the 'blue revolution' in ukiyo-e prints but its use by Chinese artists has not received the same degree of attention. A commodity traded by the East India Company, this pigment was used to 'improve' the colour of tea, but in or about 1825 the trade abruptly ceased. It now seems fairly clear that the cessation of the Prussian blue trade coincided with the setting up of a Prussian blue factory at the northern gate of Canton, and that knowledge of the industrial process was possibly acquired covertly from a London manufacturer. The pigment has been identified chemically among paint fragments collected during the dis-binding of an album of Chinese botanical watercolours sent from Canton to the Horticultural Society of London by tea inspector John Reeves between 1817 and 1830. This finding suggests that conservators should not exclude the possibility of finding Prussian blue on Chinese work dating from at least the early part of the nineteenth century.
机译:在19世纪的日本,普鲁士蓝的使用已得到广泛研究,特别是与浮世绘版画中的“蓝色革命”有关,但中国艺术家对普鲁士蓝的使用并未引起同等重视。这种颜料是由东印度公司(East India Company)交易的,被用来“改善”茶色,但在1825年左右或大约突然停止了贸易。现在似乎很清楚,普鲁士蓝色贸易的停止与在广州北门建立普鲁士蓝色工厂的同时,并且可能从伦敦制造商暗中获得了有关工业过程的知识。茶检查员约翰·里夫斯(John Reeves)在1817至1830年间从广州寄给伦敦园艺协会的中国植物水彩画册散开后,从收集的油漆碎片中化学鉴定出了这种颜料。这一发现表明,保存者不应该排除这种颜料。至少可以追溯到19世纪初期,在中国作品上找到普鲁士蓝的可能性。

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