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Jack Chambers' mixed media paintings from the 1960s and 1970s: Painting technique and condition

机译:杰克·钱伯斯(Jack Chambers)1960年代和1970年代的混合媒体绘画:绘画技巧和条件

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摘要

This study describes the examination and analysis of four mixed media paintings from the 1960s and 1970s by Canadian artist Jack Chambers (1931-1978). The documentary evidence about his materials and methods is summarized and compared with the results of analysis of multilayer paint samples. The combination of Fourier transform infrared spectroscopy (FTIR) and gas chromatography-mass spectrometry (GC-MS) allowed the components of the paint media to be characterized: ortho-phthalate alkyd resins, iso-phthalate alkyd resins, drying oils, dammar, Pinaceae resin, and turpentine were identified in varying proportions. Many pigments and fillers were identified by FTIR and Raman and are enumerated. The effect that Chambers' complex technique has had on the aging and degradation of the paintings is discussed. The severe cracking of the paint layers in one of the four paintings may be the result of a high proportion of dammar and turpentine diluent mixed with the alkyd paint and may also be related to the type of alkyd resin medium. Different history and environmental conditions may also be factors.
机译:这项研究描述了加拿大艺术家杰克·钱伯斯(Jack Chambers(1931-1978))对1960年代和1970年代的四幅混合媒体绘画的检查和分析。总结了有关他的材料和方法的文献证据,并与多层涂料样品的分析结果进行了比较。傅里叶变换红外光谱(FTIR)和气相色谱-质谱(GC-MS)的结合使涂料介质的成分得以表征:邻苯二甲酸酯醇酸树脂,间苯二甲酸酯醇酸树脂,干性油,达玛,松科树脂和松节油的比例不同。 FTIR和Raman鉴定了许多颜料和填料,并对其进行了列举。讨论了钱伯斯的复杂技术对绘画的老化和退化的影响。四种涂料之一中涂料层的严重开裂可能是由于高含量的达玛和松节油稀释剂与醇酸涂料混合而造成的,也可能与醇酸树脂介质的类型有关。不同的历史和环境条件也可能是因素。

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