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Issues Related to the Restoration of Mirrors of the Wooden paliotto della chiesa del Santissimo Crocifisso all'Albergheria, Sicily (Italy)

机译:与恢复西西里岛(意大利)阿尔贝格里亚最圣十字架教堂的木质正面镜子有关的问题

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摘要

In this work, the decision-making process involved in the restoration of the eighteenth century paliotto ligneo (wooden altar frontal) della chiesa del Santissimo Crocifisso all'Albergheria of Palermo is presented. Earlier research concerning mirror restoration was based on only a few case studies and the proposed techniques were not suitable for the artwork here. As a consequence, it was necessary to re-examine theories and protocols of modern restoration to plan an appropriate intervention of the altar frontal. Since in this artwork the role of mirrors is not to give back images, as usual, but rather to create special light effects and play of lights, this work aims to find an approach to the restoration of the altar frontal and its decorations that allows a homogeneous overview of the piece. Thus, the mirrors were not substituted or re-created. Only a visual integration of the damaged ancient mirrors was proposed, with the use of metallic-polymeric films, permitting a completely reversible restoration.
机译:在这项工作中,提出了恢复18世纪的巴利莫木质教堂正面(dali chiesa del Santissimo Crocifisso all'Albergheria)的决策过程。之前有关镜面修复的研究仅基于少数案例研究,所提出的技术不适用于此处的艺术品。因此,有必要重新审查现代修复的理论和方案,以计划对额坛的适当干预。由于在这件艺术品中,镜子的作用不是像往常一样退还图像,而是创造特殊的灯光效果和灯光,因此,这项工作旨在寻找一种方法来修复坛前额及其装饰,从而可以均匀的作品概述。因此,未替换或重新创建镜像。仅建议使用金属聚合膜对受损的古代镜子进行视觉整合,从而实现完全可逆的修复。

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