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Baudelaire’s Aesthetic

机译:宝德莱尔的美学

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摘要

This paper will take up the work of Charles Baudelaire, poetic and critical, in order to present the Baudelairean aesthetic and to make a case for its relevance in our judgments about art today. Baudelaire was the first poet of the modern built environment and is known as the father of modern poetry. While his poetry is still admired, his aesthetic has been historicised: deemed to belong to that time and place in which Baudelaire wrote. This paper will argue that this historicisation by subsequent aesthetic theory and philosophy is a suppression of something integral to art and artists, without which art is liable to lose what is true about it and sink into a morass of irrelevance and triviality, or (as will be argued has partly happened) may become devoid of any value beyond the business interests that control it. In this regard, it will be suggested, Baudelaire’s aesthetic has important redeeming qualities.
机译:本文将介绍富有诗意和批判性的查尔斯·鲍德莱尔(Charles Baudelaire)的作品,以展示波德莱亚风格的美学,并证明其与我们今天对艺术的判断有关。鲍德莱尔是现代建筑环境的第一位诗人,被誉为现代诗歌之父。尽管他的诗歌仍然受到人们的钦佩,但他的美学却具有历史意义:被认为属于鲍德莱尔创作的那个时代和地方。本文将论证,随后的美学理论和哲学的这种历史性化是对艺术和艺术家所不可或缺的某种事物的压制,如果没有这种艺术化,艺术很容易失去其真实性并陷入无意义和琐碎的泥潭,或者被认为已经部分发生)可能会失去控制它的商业利益以外的任何价值。在这方面,建议鲍德莱尔的美学具有重要的赎回特质。

著录项

  • 来源
    《Sophia》 |2010年第4期|p.509-519|共11页
  • 作者

    Matthew Del Nevo;

  • 作者单位

    Catholic Institute of Sydney, Strathfield, 2135, Australia;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

    Aesthetic theory; Baudelaire; Beauty; Critique;

    机译:审美理论;鲍德莱尔;美容;批判;
  • 入库时间 2022-08-18 00:23:58

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