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Becoming the homovoyeur: consuming homosexual representation in Queer as Folk

机译:成为同志偷窥者:在同性恋中以同性恋作为民间消费

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摘要

Gay and lesbian representations in television programming have changed drastically in the past few years with the introduction of shows such as The L Word and Queer as Folk. The number of heterosexuals watching queered television has also increased, leaving us wondering how we can interpret their growing numbers as cultural consumers of queer portrayals. This article infuses cultural and queer studies with sociology, proposing that straight viewers of the television program Queer as Folk become “homovoyeurs” through their consumption of queer imagery as spectacle and entertainment. Through a semiotic reading, I also suggest that queer television programming - while opening up symbolic spaces for cross-sexual identity consumption - still leaves intact barriers to meaningful interaction and dialogue across the homosexual/heterosexual identity boundary.
机译:在过去的几年中,随着电视节目《 L字》和《同性恋者》的出现,同性恋在电视节目中的代表方式发生了巨大变化。观看酷儿电视的异性恋者的数量也有所增加,这使我们想知道如何将他们的增长数字解释为酷儿描写的文化消费者。本文将文化和酷儿的研究与社会学结合起来,提出电视节目《酷儿为民》的直接观众通过消费酷儿的形象作为奇观和娱乐而成为“同性恋者”。通过符号学的阅读,我还建议酷儿电视节目制作-为跨性别的身份消费打开象征性空间-仍然为跨同性恋/异性恋身份边界的有意义的互动和对话留下完整的障碍。

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