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Second Thoughts on the Proposition “Literature Is the Study of Man”

机译:关于“文学就是人的研究”这一命题的第二种思考

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20“”“”21“”“”“”20“”“”“” : “”   In an essay written in the 1950s, Qian Gurong noted that Gorky once suggested calling literature “the study of man.” He went on to argue that Gorky was the first to have put forward this proposition. In the twenty‐first century, Qian added the comment that “Rights to the statement ‘Literature is the study of man’ should go to H. Taine.” In this paper, I argue that in fact, Gorky never suggested calling literature “the study of man,” nor did Taine ever say in so many words “Literature is the study of man.” Nevertheless, it certainly took extraordinary courage and talent for Qian Gurong to have put forward this proposition and expounded on the “humane” character of literature given the political and literary situation of China in the 1950s. His act was of more than usual significance, for it had an enormously positive influence on literary creation and research in the succeeding half century. At the same time, it is worth noting that the proposition “Literature is the study of man” is not justifiable in terms of the principles of logic. In the new century, as we examine this proposition more rigorously, we can see its deficiencies more clearly: that is, man is the center, rather than the sole object, of literary description; man is a measure, rather than the sole measure, of literary criticism. Besides, literature should follow its own particular laws.View full textDownload full textKeywords“Literature is the study of man,”, source, historical background, matrix of relationshipsRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/02529203.2011.573303
机译:20欧元– 21欧元– 20欧元– 20欧元–在1950年代的一篇文章中,钱固荣指出,高尔基曾建议将文学称为“对人的研究。”他继续指出,高尔基是第一个提出这一主张的人。在二十一世纪,钱其琛在评论中写道:“文学是对人的研究的权利应该归于泰恩。”在本文中,我认为实际上,高尔基从未建议将文学称为“对人的研究”,也没有泰恩这么多地说“文学就是对人的研究”。尽管如此,对于钱学谦来说,确实需要非凡的勇气和才华。考虑到1950年代中国的政治和文学状况,古榕提出了这一主张并阐述了文学的“人道”特征。他的举动具有比平常重要的意义,因为它对后半个世纪的文学创作和研究产生了巨大的积极影响。同时,值得注意的是,“文学就是对人的研究”这一命题在逻辑原理上是不合理的。在新世纪,当我们更加严格地研究这个命题时,我们可以更清楚地看到它的不足:也就是说,人是文学描写的中心,而不是唯一的对象。人是文学批评的一种手段,而不是唯一的手段。此外,文学应该遵循自己的特定法律。查看全文下载全文关键字“文学是对人,对象,来源,历史背景,关系矩阵的研究”相关的var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,services_compact ::“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/02529203.2011.573303

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  • 来源
    《Social Sciences in China》 |2011年第2期|p.106-117|共12页
  • 作者

    Liu Weiqina;

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  • 入库时间 2022-08-18 00:53:21

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