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The modern cemetery: a design for life

机译:现代公墓:生活设计

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In discussing the importance of public health anxieties within the birth of modern forms of governmentality, Foucault frequently mentions, but does not develop, the questions that arose about the appropriate disposal of the dead. In this paper, I explore the spatial rationalities of the modern cemetery in England in the mid-nineteenth century. As an illustrative example, I provide a detailed analysis of John Claudius Loudon's proposals for cemeteries. Loudon, a horticultural writer and designer who campaigned vigorously for cemetery reform, became crucial in the reconfiguration of the cemetery. I use Loudon's ideas as a dispositif, a material space that also provides a method of analysis for illuminating the operation of various inter-related governmental spatialisations and techniques. Specifically, I illustrate how the cemetery captures the diversification and widening of dispositional techniques of institutions and, at the same time, integrates hygienic imperatives, aesthetic-moral registers and an array of educational-civic functions. I argue that the cemetery, in real and ideal terms, manifests and intensifies a variety of rural and urban spaces and, paradoxically, generates a model milieu for the living.
机译:在讨论现代形式的政府形式的诞生之内,公共卫生焦虑的重要性时,福柯经常提到(但没有发展)有关适当处置死者的问题。在本文中,我探索了19世纪中叶英国现代公墓的空间合理性。作为说明性示例,我对约翰·克劳迪乌斯·劳登(John Claudius Loudon)的墓地提议进行了详细分析。园艺作家和设计师Loudon大力推动公墓改革,对重新设计公墓起着至关重要的作用。我将Loudon的思想用作存储空间,它是一种物质空间,它还提供了一种分析方法,以阐明各种相互关联的政府空间化技术的运用。具体来说,我举例说明了公墓如何捕捉机构配置技术的多样化和扩展,同时整合了卫生命令,审美道德记录和一系列教育公民功能。我认为,从真实和理想的角度看,该墓地表现并强化了各种乡村和城市空间,并且自相矛盾地为人们提供了一个模范的生活环境。

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