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“Choreography for One, Two, and Three Legs” (A Phenomenological Meditation in Movements)

机译:“一条,两条和三条腿的舞蹈术”(运动中的现象学冥想)

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摘要

Choreography for One, Two, and Three Legs approaches the intentional formation of bodily movement and expression from the various perspectives of individuals who are differently abled. Exploring what it is for a non-dancer to experience various rhythms and movements and spaces with crutches, prosthetic leg, and cane, the essay interweaves phenomenological description and interpretation of suddenly defamiliarized daily activities with discourse drawn from the experiences of professional dancers who are differently abled. The aim is to foreground the opacities, transparencies, and ambiguities of a more general sense of embodied and expressive movement that subtends the abled and differently abled and the non-dancer and dancer, and to acknowledge the lived and living body as the common ground that enables all of our thoughts, movements, and modes of expression, however differentiated their myriad forms and satisfactions.
机译:一腿,二腿和三腿的编舞从能力各异的个人的各种角度探讨了身体运动和表情的故意形成。探索非舞者用拐杖,假肢和拐杖体验各种节奏,动作和空间是什么,这篇文章将突然陌生的日常活动的现象学描述和解释与从专业舞蹈家的经验中汲取的话语交织在一起能够。目的是凸显更普遍的体现和表达运动的不透明性,模糊性和含混性,这种运动以有能力和有不同能力的人以及没有跳舞的人和舞者为代表,并承认有生命和有生命的身体是共同点。使我们所有的思想,动作和表达方式成为可能,但是区分了它们的多种形式和满足感。

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  • 来源
    《Topoi》 |2005年第1期|55-66|共12页
  • 作者

    Vivian Sobchack;

  • 作者单位

    Department of Film, Television and Digital Media, University of California , 90094, 405 Hilgard Avenue, Los Angeles, CA , USA;

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  • 原文格式 PDF
  • 正文语种 eng
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