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Ready for some magic

机译:准备好魔法了

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It is finished. Though the re-launch of Manchester's Whitworth art gallery went with a bang - with artist Cornelia Parker's explosive pieces spilling out into a firework display in its park - for its architect, Stuart McKnight of MUMA(McInnes Usher McKnight Architects), the process has been the gathering together of disparate elements, the final reckoning. 'I felt we were completing it,' he says. The way he tells the story it has been a long haul for the Whitworth. MUMA's project has rationalised, extended and enclosed this gallery in a park. It started life as Grove House, used as a gallery from 1890. Then James Beaumont started building alongside it, first the front section in fully blown high Victorian, and then working back - away from the long drag of Oxford Road, stage by stage over 15 years before finally demolishing the house and building over its footprint.
机译:结束了尽管曼彻斯特惠特沃思美术馆的重新开业轰动一时-艺术家Cornelia Parker的爆炸性碎片溅入了公园的烟火表演中-为其建筑师MUMA的Stuart McKnight(McInnes Usher McKnight Architects)设计,不同元素的集合,最后算算。他说:“我觉得我们已经完成了。”他讲故事的方式对惠特沃思来说是一个漫长的旅程。 MUMA的项目已合理化,扩展了该画廊并将其封闭在公园中。它从1890年用作画廊的格罗夫之家开始生活。然后詹姆斯·博蒙特(James Beaumont)开始在旁边并排,首先是完全吹制的维多利亚时代高楼的前部,然后逐渐远离牛津路的拖累,逐步15年后才最终拆除房屋并在其占地上建筑。

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    《RIBA Journal》 |2015年第3期|18-24|共7页
  • 作者

    Eleanor Young;

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