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Get angry with the carry on

机译:生气随身携带

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My trouble with Owen Hatherley's excellent if thoroughly miserablist walking tour of Blair's urban Britain in his earlier 'New Ruins' is that it maintained an almost nostalgic, rose-tinted view of the modernist/ brutalist housing experiment of the 60s and 70s, without taking account of the fact that people might not have liked living in them very much. Maybe it's because he was a child of the 80s. Hatherley is nothing if not a prolific writer on socialist architecture - his last tome, 'Landscapes of Communism', a dewy-eyed tour of duty around the former Eastern Bloc, runs to 624 pages. Mao Tse Tung's Little Red Book it sure ain't. 'The Ministry of Nostalgia' is both red and little (luckily) - and aims to address accusations of nostalgia head on. It's also, by his own admission, something of a mea culpa. His expertise and championing of socialist architecture, read via the lens of modernist housing and Thatcher's abolition of the generous Parker Morris standards, unwittingly helped make the style eminently marketable again. A surf through property sites like The Modern House proves how the message got absolutely lost in the medium.
机译:我对欧文·赫瑟利(Owen Hatherley)在布莱尔(Blair)早期的《新遗址》中出色地进行彻底的不步行徒步旅行的行为感到困扰,因为它对60年代和70年代的现代主义/野蛮主义住房实验保持了几乎怀旧的玫瑰色色彩。人们可能不太喜欢住在其中的事实。也许是因为他是80年代的孩子。赫瑟利(Hatherley)也不是社会主义建筑学的多产作家,他的最后一部书集《共产主义的风景》(Landscapes of Communism)是前东区的露齿眼的职责之旅,长达624页。毛泽东的《红色小书》肯定不是。幸运的是,“怀旧部”既鲜红又鲜红-旨在应对怀旧指控。他自己也承认,这是一种小罪魁祸首。他的专业知识和对社会主义建筑的拥护,通过现代主义住房的镜头和撒切尔废除了慷慨的帕克·莫里斯标准来读懂,无意间使这种风格再次大行其道。在诸如The Modern House之类的房地产网站上的冲浪,证明了该信息是如何在媒体中完全消失的。

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    《RIBA Journal》 |2016年第1期|73-73|共1页
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    Jan-Carlos Kucharek;

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  • 入库时间 2022-08-18 00:21:46

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