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Bodies and language: process drama and intercultural language learning in a beginner language classroom

机译:身体和语言:在初学者语言教室中进行戏剧和跨文化语言学习

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In this article the author draws on classroom video recordings and student commentary to explore ways in which the kinaesthetic elements of a process drama provided the context and the space for beginner additional language learners to engage with intercultural language learning. In the light of student comments in interviews and questionnaires, she justifies the need for learners to experience the bodily aspect of communication as part of authentic, multi-modal interaction and hence a crucial element in intercultural literacy. Drawing on Kress's concept of interest as a motivation to make meaning, she suggests that learner interests are aroused by dramatic conventions whose multi-modal nature affords students access to multiple ways of participating in the narrative. She argues that a more conscious integration of the kinaesthetic mode into the additional language classroom can stimulate, scaffold and authenticate the verbal participation of beginner learners. Finally, given the students’ overwhelmingly positive response to the kinaesthetic elements of the work, she suggests that, despite the challenge of balancing drama and language imperatives, encouraging language teachers to venture into imaginative worlds and include a kinaesthetic dimension to their communicative practice could improve engagement and outcomes for beginner learners.View full textDownload full textKeywordsintercultural language learning, process drama, kinaesthetic mode, meaning makingRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13569783.2011.617106
机译:在本文中,作者利用课堂录像和学生评论来探讨过程戏剧的动感元素为初学者提供额外的背景知识和空间,以便其他语言学习者参与跨文化语言学习。根据访谈和问卷中学生的评论,她认为学习者有必要体验沟通的身体方面,这是真实的,多模式互动的一部分,因此是跨文化素养的关键要素。她利用克雷斯(Kress)的兴趣概念作为表达意义的动机,认为学习者的兴趣是由戏剧性惯例引起的,这些惯例的多形式性质使学生能够以多种方式参与叙事。她认为,运动意识模式与其他语言课堂的更自觉性整合可以刺激,脚手架和验证初学者的言语参与。最后,考虑到学生对作品的运动美学元素的压倒性的积极回应,她建议,尽管在平衡戏剧和语言要求之间存在挑战,但鼓励语言教师冒险进入富有想象力的世界,并在他们的交际实践中加入运动美学的维度,改善初学者的参与度和成果。 linkedin,facebook,stumbleupon,digg,google,更多“,发布ID:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13569783.2011.617106

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