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A Companion to American Art

机译:美国艺术的伴侣

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Art historians will greet this stimulating series of companions to art history, of which this volume is the eighth, with enthusiasm. Drawing upon the expertise of recognised authorities in their field, all the works in the series offer in-depth analyses of relevant themes and topics, as well as debates upon current research and teaching. These books are not intended to be seen as chronological narratives of the history of art in their chosen area, as their approach is thematic. This one on American art is no exception. A Companion to American Art is divided into four major sections: Writing American Art History; Geographies: Rethinking Americanness; Subjectivities; and Art and Public Culture. Each section is then sub-divided into several chapters. The range of topics covered is impressive. Examples include Pueblo Painting in 1932: Folding Narratives of Native Art into American Art History; Pantaloons vs. Petticoats: Gender and Artistic Identity in Ante-bellum America and Historicism in the American Built Environment.
机译:艺术史学家将热情地迎接一系列激动人心的艺术史同伴,这是第八册。该系列的所有作品都利用公认的权威领域的专业知识,对相关主题和主题进行深入分析,并对当前的研究和教学进行辩论。这些书不应被视为所选领域中艺术史的年代叙事,因为它们的方法是主题性的。美国艺术也不例外。 《美国艺术的同伴》分为四个主要部分:撰写美国艺术史;地域:重新思考美国性;主体性;艺术与公共文化。然后将每个部分细分为几章。涵盖的主题范围令人印象深刻。例子包括1932年的普韦布洛绘画:将本土艺术的叙事折合成美国艺术史; Pantaloons vs. Petticoats:美国战前时代的性别和艺术认同以及美国建筑环境中的历史主义。

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