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A new Aurignacian engraving from Abri Blanchard, France: Implications for understanding Aurignacian graphic expression in Western and Central Europe

机译:法国阿布里·布兰查德(Abri Blanchard)制作的新的奥里尼亚克雕刻:对理解西欧和中欧的奥里尼亚克图形表达的启示

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In the excitement of the widely publicized new finds of Aurignacian art from Chauvet, from the Swabian Jura and from as far afield as Pestera Coliboaia in Romania, it has almost been forgotten that a rich corpus of Aurignacian wall painting, engraving and bas-relief sculpture had been recognized and studied before World War I in the Vézère Valley of SW France. Scientific knowledge of the chronological and cultural context of that early-discovered graphic record has been limited by the crude archaeological methods of that pioneering era, and the loss and dispersal of many of the works discovered. In 2011, we launched new excavations and a re-analysis of one of the key sites for such early discoveries, the collapsed rock shelter of Abri Blanchard. In 2012, we discovered in situ a limestone slab engraved with a complex composition combining an aurochs and dozens of aligned punctuations.This new find, recovered by modern methods and dated by molecular filtration and Hydroxyproline 14C, provides new information on the context and dating of Aurignacian graphic imagery in SW France and its relationship to that of other regions. The support is not a fragment of collapsed shelter ceiling and is situated in the midst of quotidian occupational debris. The image shows significant technical and thematic similarities to Chauvet that are reinforced by our reanalysis of engraved slabs from the older excavations at Blanchard. The aligned punctuations find their counterparts at Chauvet, in the south German sites and on several other objects from Blanchard and surrounding Aurignacian sites. In sum, we argue that dispersing Aurignacian groups show a broad commonality in graphic expression against which a certain number of more regionalized characteristics stand out, a pattern that fits well with social geography models that focus on the material construction of identity at regional, group and individual levels.
机译:广为人知的Chauvet,Swabian Jura和远至罗马尼亚的Pestera Coliboaia的Aurignacian艺术新发现令人兴奋,几乎已经忘记了丰富的Aurignacian壁画,雕刻和浮雕雕塑作品集第一次世界大战前曾在法国西南部的维泽尔河谷得到认可和研究。那个早期发现的图形记录的年代和文化背景的科学知识受到那个先驱时代原始的考古方法以及许多发现和遗失的传播的限制。 2011年,我们开展了新的挖掘工作,并对此类早期发现的关键地点之一进行了重新分析,其中包括坍塌的Abri Blanchard岩石掩体。 2012年,我们在原位发现了一个石灰石板,上面刻有复杂的成分,融合了金牛座和数十种对齐的标点符号,这一新发现通过现代方法得到了发现,并通过分子过滤和Hydroxyproline 14C进行了年代测定,提供了有关石蜡的背景和年代的新信息。法国西南部的Aurignacian图形图像及其与其他地区的关系。支撑物不是塌陷的棚顶的碎片,而是位于quotidian职业碎片中间。该图像显示了与Chauvet的重大技术和主题相似之处,我们对布兰查德(Blanchard)较旧挖掘的雕刻板进行了重新分析,从而进一步证明了这一点。对齐的标点符号在Chauvet,德国南部的遗址以及Blanchard及其周围的Aurignacian遗址的其他几处发现。总而言之,我们认为散布的奥里尼亚克族群体在图形表达上表现出广泛的共性,与之相对应的是一些更为区域化的特征,这种模式与社会地理学模型非常吻合,后者侧重于区域,群体和群体身份的物质建构。个人水平。

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