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Highlight the lights: Towards strategies for audio describing lighting in film

机译:突出灯光:制定音频描述电影灯光的策略

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Cinema audio description requires the ability to provide comprehensive answers to many different questions regarding the translation of visual and auditory clues in a usually very limited time frame. The who, when, what and how are only some of the aspects that require audio describing in any given film. This paper focuses on the how of audio description, aiming to investigate the existing audio description strategies through which light and contrast are verbalized. First, the article presents the basic concepts of light and contrast as expressed within Film Studies literature. It then examines the relationship between a number of lighting properties, their effects and their implications for audio description. Next, it analyzes examples of audio descriptions relating to light and contrast encountered in a corpus of commercially audio described Tim Burton films. Kruger's descriptive-narrative continuum (2010) is used to label the relevant strategies, which are then brought together in an overview.
机译:电影院音频描述要求能够在通常非常有限的时间内为有关视觉和听觉线索翻译的许多不同问题提供全面的答案。谁,何时,什么以及如何只需要在给定电影中描述音频的某些方面。本文着重于音频描述的方法,旨在研究现有的音频描述策略,通过这种策略可以对光线和对比度进行语言描述。首先,本文介绍了电影研究文献中表达的光线和对比度的基本概念。然后,它检查了许多照明属性,它们的效果及其对音频描述的影响之间的关系。接下来,它分析与音频和对比度有关的音频描述示例,这些音频和对比度在商业音频描述的蒂姆·伯顿影片中遇到。克鲁格的描述性叙事连续体(2010年)用于标记相关策略,然后将其汇总在一起。

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