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Thomas Kuhn, the Image of Science and the Image of Art: The First Manuscript of Structure

机译:托马斯·库恩(Thomas Kuhn),《科学的图像和艺术的图像:结构的第一手稿》

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摘要

The first manuscript of The Structure of Scientific Revolutions, probably written in late 1958, is available in the Kuhn Archive at MIT (Massachusetts Institute of Technology)1. It is the first version of Chapter 1, which is the introduction to the book, and is completely different from the version that was published. In this article, I turn to the manuscript to show that at that time Kuhn considered the comparison between the image of science and the image of art as the most appropriate way to announce his project: to change the image of science by bringing it closer to the image of art. As I try to demonstrate, this appeal to the history of art is not merely occasional. And it allows us to understand Kuhn’s intriguing retrospective statement, according to which Structure was a belated product of his discovery of the parallels between science and art. Some passages from Kuhn’s unpublished manuscript are transcribed in the article.
机译:《科学革命的结构》的第一份手稿可能于1958年末出版,可在麻省理工学院的库恩档案馆中找到1。它是第1章的第一个版本,是本书的简介,与发布的版本完全不同。在本文中,我转向手稿,以表明当时库恩认为科学图像和艺术图像之间的比较是宣布他的项目的最合适方法:通过使科学图像更接近科学来改变科学图像。艺术形象。正如我试图证明的那样,这种对艺术史的吸引力不仅仅是偶然的。它使我们能够理解库恩有趣的回顾性陈述,根据该陈述,结构是他发现科学与艺术之间的相似之处的最新产品。这篇文章记录了库恩未发表的手稿的一些段落。

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  • 来源
    《Perspectives on science》 |2017年第6期|746-765|共20页
  • 作者

    J. C. Pinto de Oliveira;

  • 作者单位

    State University of Campinas;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 02:24:02

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