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Open Your Eyes/Shut Your Eyes: Staging Kandinsky's The Yellow Sound at Tate Modern

机译:睁开眼睛/闭上眼睛:在泰特现代美术馆(Tate Modern)表演康定斯基的《黄色声音》

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This essay explores the durational gaze of the spectator and the audience, and the importance of a chronometric rehearsal process in realizing a rarely performed experimental Modernist stage composition. ‘Der Gelbe Klang’ (The Yellow Sound) was Wassily Kandinsky's only published stage composition. Rarely performed but academically scrutinized, the script, such as it is, provides little clue to its performative duration. The Yellow Sound functions as a kinetic painting: layers of moving colours, symbolic figures, shambling yellow giants and bright sounds are mortared together with the extrasensory lacuna of Kandinsky's own synaesthetic perception. In viewing a painting, a spectator has the option to give it a glance or stare at it for hours. In performance, the audience has little temporal control of their visual experience. In the Tate performances this dilemma was approached performatively in process and production. The kinetic painting realized in performance space becomes subservient to the practicalities and logistics of material performance leading to new considerations of time and space which are revealed through rehearsal process and the installation of a performance. This essay explores D'Arcy and Hand's realization of The Yellow Sound from primary design and rehearsal through to the Tate Modern performances.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13528165.2012.728441
机译:本文探讨了观众和观众的持续注视,以及计时排练在实现很少执行的实验性现代主义舞台作品中的重要性。 “ Der Gelbe Klang”(黄色之声)是Wassily Kandinsky唯一发表的舞台作品。剧本很少执行,但在学术上经过仔细审查,因此对其执行时间的影响很少。 《黄声》起着动感画作的作用:将动感的色彩,象征人物,的黄色巨人和明亮的声音与康定斯基自己的联觉感知的超感官空隙融合在一起。在观看绘画时,观众可以选择看一眼或凝视它几个小时。在表演中,观众几乎没有时间上的视觉控制。在泰特(Tate)表演中,这个难题在过程和生产中得到了有效解决。在表演空间中实现的动态绘画服从于材料表演的实用性和后勤性,从而导致了对时间和空间的新考虑,这些因素通过排练过程和表演的安装得以揭示。本文探讨了D'Arcy和Hand从最初的设计和排练到Tate Modern表演的《黄色声音》的实现。 twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多“,发布:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13528165.2012.728441

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