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A Matter of Style: On Reading the Oscar Wilde Trials as Literature

机译:风格的问题:在阅读奥斯卡·王尔德的审判作为文学作品时

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The Oscar Wilde trials (1895) have usually been interpreted either as a historical document which gives insight into the regulation of sexuality in the late nineteenth century, or as literary biography explicating the playwright's life and works. Taking its cue from recent scholarship in ‘law and literature’, and also from Wilde's own conception of the relationship between art and life, this article proposes a reading of the trials which blurs the distinction between legal history and literary criticism by considering them as a form of literature. It argues that the trial transcripts enact and reflect Wilde's vision of what literature is and how it should be read, and as such should be given a place amongst his literary works, alongside such aesthetic manifestos as ‘The Decay of Lying’ and ‘The Critic as Artist’.
机译:奥斯卡·王尔德(Oscar Wilde)的审判(1895年)通常被解释为一种历史文献,可以深入了解19世纪后期的性行为,也可以理解为一部文学传记,其中阐述了剧作家的生活和作品。本文从最近在“法律与文学”领域的学术研究以及王尔德对艺术与生活之间关系的构想中得出的线索,提出了对审判的解读,该审判通过将法律史与文学批评之间的区别视为模糊的审判。文学形式。它认为审判笔录体现并反映了王尔德对文学是什么以及应该如何阅读的看法,因此应在他的文学作品中占有一席之地,并带有诸如“说谎的衰败”和“评论家”之类的美学宣言。作为艺术家。

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    《Oxford Journal of Legal Studies》 |2011年第4期|p.709-726|共18页
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  • 入库时间 2022-08-18 01:06:31

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