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The genesis of Jan Steens painting 'As the old ones sing, so the young ones pipe' from the Gemaldegalerie Berlin

机译:扬·斯坦斯(Jan Steens)绘画的起源,来自柏林Gemaldegalerie的“老歌唱,所以小管子唱”

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In collaboration with the research reactor of the Helmholtz-Zentrum Berlin fur Materialien und Energie, the Gemaldegalerie Berlin is the only institute worldwide, which systematically employs the method of Neutron-Activation-Autoradiography to analyze paintings and painting techniques. To date more than 70 paintings were investigated with this effective, non-destructive, and exceptional method. It allows the visualization of structures and layers beneath the top surface and, in addition, enables the identification of elements contained in the pigments. The instrument B8 at the research reactor BER Ⅱ is dedicated to this research. Jan Steen is one of the prolific artists from the 17th century. Like other artists from that time he produced several versions of one specific topic during life-time. The topic "As the old ones sing, so the young ones pipe" was painted by Jan Steen in 13 versions. The painting from the Gemaldegalerie is an exception in this series as it differs in style and content from the other oeuvres. The question arises: why did the artist deviate from his usual scheme? The possible answer is provided by X-ray images and neutron autoradiographs made of the painting, allowing insight into hidden paint layers and, therefore, in the genesis of the painting. Jan Steen did not simply change the composition of the room and the figures. He originally intended an altogether different topic. Assumedly it was supposed to be a so-called merry company, located in a generous, stately room. Many pieces of this sophisticated ambiance have been eliminated from the version visible today; others were modified and integrated into the composition of the new painting. Thus, Jan Steen commenced the topic "As the old ones sing, so the young ones pipe" from a different context.
机译:柏林Gemaldegalerie与柏林Helmholtz-Zentrum皮毛材料研究与能源研究堆合作,是全球唯一一家系统地采用中子活化放射自显影方法来分析绘画和绘画技术的研究所。迄今为止,已通过这种有效,无损且出色的方法研究了70多幅画作。它可以可视化顶部表面下方的结构和层,此外,还可以识别颜料中包含的元素。研究堆BERⅡ的B8仪器专用于该研究。扬·斯汀(Jan Steen)是17世纪多产的艺术家之一。像那时的其他艺术家一样,他一生中制作了一个特定主题的多个版本。扬·斯汀(Jan Steen)绘制了13个版本的主题“随着老人唱歌,让年轻人吸烟”。 Gemaldegalerie的画作是该系列中的一个例外,因为它的风格和内容与其他作品不同。问题出现了:为什么艺术家偏离了他通常的方案?可能的答案是由绘画制成的X射线图像和中子射线照相仪提供的,从而可以洞悉隐藏的绘画层,从而了解绘画的起源。 Jan Steen并没有简单地改变房间和数字的组成。他原本打算使用一个完全不同的主题。假定它应该是一家所谓的快乐公司,位于宽敞,庄严的房间中。从今天可见的版本中已经消除了许多这种复杂的氛围。其他的则被修改并整合到新绘画的组成中。因此,扬·斯汀(Jan Steen)从不同的上下文开始了主题“随着老人唱歌,让年轻人唱歌”。

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