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Narrative Theory/Narrative Fiction

机译:叙事理论/叙事小说

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How can teachers of creative writing use recent theories of narrativity to teach narrative fiction? This paper argues that the work of undergraduate fiction writers should not isolated from the larger debates about narrative that are being carried out all the time in our culture. The author showcases an advanced undergraduate creative writing curriculum offered at Curtin University of Technology in Perth, Western Australia, where reading includes Theresa de Lauretis on desire and narrative, Paul Ricouer on time and narrative and Cathy Caruth on trauma and narrative, amongst others. The course aims to give students an understanding of the productive links that can be made between recent narrative theory and the practice of writing narrative fiction. This paper argues for something other than the traditional skills-based approach to teaching narrative fiction and demonstrates innovative student work that stems directly out of exercises focused on key ideas in narratology.
机译:创意写作的老师如何利用叙事的最新理论来教授叙事小说?本文认为,本科小说作家的工作不应与我们文化中一直在进行的关于叙事的较大辩论区分开。作者展示了西澳大利亚州珀斯的科廷科技大学提供的高级本科创意写作课程,该课程的内容包括关于欲望和叙事的特蕾莎·德·劳雷蒂斯,关于时间和叙事的保罗·里库尔以及关于创伤和叙事的凯茜·卡鲁斯等。本课程旨在使学生了解新的叙事理论与写作叙事小说之间的生产联系。本文主张采用基于传统技能的叙事小说教学方法以外的方法,并论证了创新的学生作品,这些作品直接源于注重叙事学关键思想的练习。

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