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Suddenness: On Rapid Knowledge

机译:突然:关于快速知识

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How are poetic ideas thought up? This paper is part of a broader project on the relations between poetry and knowledge. I have been interviewing contemporary Australian poets to find out how knowledge processes pertain to their work. In the process I've learnt some surprising things - such as the fact that most of my subjects have described experiences of composing at speeds where it is simply too fast to think. Indeed, a majority have stated that rapid and unpremeditated composition is their dominant mode of producing. In this paper, I contrast my findings, and those of prior writers on the topic of rapid knowledge (Kleist, Wordsworth, Auden, Heidegger), with the recent neurological research of Antonio Damasio. Damasio postulates that human decision-making is in general conducted at speeds that are too fast to be fully conscious. In the process, Damasio offers interesting possibilities for hypothesising the pre-conscious mechanisms that poets draw upon when the words come into their heads.
机译:诗意如何思考?本文是关于诗歌与知识之间关系的更广泛项目的一部分。我一直在采访当代澳大利亚诗人,以了解知识过程与他们的作品如何相关。在这个过程中,我学到了一些令人惊讶的事情-例如,我的大多数学科都描述了以太快的速度思考的作曲经历。的确,大多数人已经指出,快速和未经预谋的构图是他们的主要生产方式。在本文中,我将我的发现以及先前关于快速知识的作者(克莱斯特,华兹华斯,奥登,海德格尔)的发现与安东尼奥·达马西奥的近期神经学研究进行了对比。达马西奥(Damasio)假设,人类的决策通常以太快的速度进行而无法完全意识到。在此过程中,达马西奥提供了有趣的可能性,用于假设当词进入他们的头脑时,诗人会使用的前意识机制。

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