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Feminist Fictionmaking

机译:女权主义小说创作

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This paper is an exploration of the process of feminist fiction writing; what I have termed fictionmaking, to deliberately situate fiction writing as a form of cultural production and social construction that can and should be interrogate. This approach by necessity challenges some of the myths about the creative process including romantic notions that posit creativity as individual, give rise to the sacredness of the text and situate the writer as either conduit or genius. This interrogation is important to me as a feminist committed to being politically accountable and as a novelist writing to challenge our perceptions and create a deeper understanding of ourselves and each other. It is my contention that all feminist fiction writers have a political 'intention' and though the intention of the writer cannot be said to construct the meaning of the work, it is a crucial aspect of the fabric that forms the work. In this paper, I use my own experience of writing, Swimming, a feminist novel (currently unpublished) as a basis for a self-reflective, critical approach aimed at illuminating the feminist fictionmaking process.
机译:本文是对女性主义小说创作过程的探索。我所谓的小说创作,是故意将小说写作定位为一种文化生产和社会建设形式,可以并且应该进行审问。这种方法必然会挑战有关创造过程的一些神话,包括浪漫主义的观念,这些观念将创造力视为个人,使文本变得神圣,并使作家成为传承者或天才。作为一名致力于政治上负责任的女权主义者,以及作为挑战我们的观念并加深对自己和彼此理解的小说家的写作,这种讯问对我而言非常重要。我的观点是,所有女权主义小说家都有政治上的“意图”,尽管不能说作者的意图构成了作品的意义,但这是构成作品的结构的关键方面。在本文中,我利用自己的写作经验(《游泳》,一本女权主义小说(目前未出版)),以自我反思,批判性的方法为基础,以阐明女权主义小说的创作过程。

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