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The Lord of the Rings as global phenomenon: a review of The Frodo Franchise, Watching the Lord of the Rings and Studying the Event Film

机译:作为全球现象的指环王:《佛罗多专营权》评论,看《指环王》和研究活动电影

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While Peter Jackson's The Lord of the Rings (LOTR) trilogy has been the subject of an enormous amount of publications, the three books discussed here are particularly interesting because they address from different methodological perspectives the topics at stake in state-of-the-art global research on contemporary American cinema. If Kristin Thompson (The Frodo Franchise, University of California Press) chose to closely follow the (post)production process, Martin Barker and Ernest Mathijs (Watching the Lord of the Rings, Peter Lang) instead analysed the response of world audiences, and the research group led by Sean Cubitt, Harriet Margolis, Barry King and Thierry Jutel (Studying the Event Film, Manchester University Press) focused on the relationship between the films and the place where they were produced, New Zealand. Therefore, the complexity of the LOTR phenomenon is analysed in all its components. Thompson's book is the most documented of the three, providing relevant insights into the production process of the film; Barker and Mathijs address important issues about the reception of contemporary cinema, but their analyses are often arguable because of some theoretical and methodological weaknesses; finally, mixing both points of view, Cubitt's team seems to achieve a greater understanding of its subject. The need for an interdisciplinary and comparative approach is in fact the first important suggestion we can draw from their comparison. The adoption of a critical point of view, mostly evident in Studying the Event Film, proves to be necessary when discussing the political economy and the cultural significance of Hollywood blockbusters. The centrality of globalisation as a crucial category for contemporary film studies is revealed by all the books, which offer an American, a New Zealand and a global point of view on this worldwide successful saga.View full textDownload full textKeywords The Lord of the Rings , event film, blockbuster, globalisation, reception studiesRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17400301003700459
机译:虽然彼得·杰克逊(Peter Jackson)的《指环王》(LOTR)三部曲已成为大量出版物的主题,但此处讨论的三本书特别有趣,因为它们从不同的方法论角度解决了最新技术中的主题全球当代美国电影研究。如果克里斯汀·汤普森(加利福尼亚大学出版社的佛罗多特许经营公司)选择密切关注(后期)制作过程,那么马丁·巴克(Martin Barker)和欧内斯特·马蒂斯(Ernest Mathijs)(观看指环王,彼得·朗)则分析了全球观众的反应,由Sean Cubitt,Harriet Margolis,Barry King和Thierry Jutel(研究事件电影,曼彻斯特大学出版社)领导的研究小组重点研究了电影与新西兰电影制作地之间的关系。因此,分析了LOTR现象的所有组成部分的复杂性。汤普森的书是三本书中记录最丰富的一本书,提供了有关电影制作过程的相关见解; Barker和Mathijs解决了有关当代电影接收的重要问题,但是由于某些理论和方法上的弱点,他们的分析常常是有争议的。最后,混合了两种观点,Cubitt的团队似乎对主题有了更深入的了解。实际上,需要跨学科和比较性的方法是我们可以从它们的比较中得出的第一个重要建议。在讨论好莱坞大片的政治经济和文化意义时,有必要采取批判性观点,这在研究事件电影中最明显。所有书籍都揭示了全球化作为当代电影研究的重要类别的中心地位,这些书就这一全球成功的传奇故事提供了美国人,新西兰和全球的观点。查看全文下载全文关键字《指环王》活动电影,大片,全球化,接待研究相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid: “ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17400301003700459

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