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The posthumous legacy of Khlebnikov versus Mayakovsky sub specie Avant-Garde performance of scandal

机译:Khlebnikov与Mayakovsky亚种Avant-Garde丑闻表现的遗体

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The paper addresses the issue of the posthumous legacies of the two main Russian Avant-Garde revolutionary poets Vladimir Mayakovsky and Velemir Khlebnikov and draws largely on the memoir accounts available in this regard. The essay examines the pragmatics of operation of the post-Futurist public scandal which contributed to establishing/undermining the “symbolic value” of each poet’s debated legacy. The paper brings into discussion various methods of cultural analysis that include Bourdieu’s notion of symbolic capital, theory of speech-acts and different apprehensions of public memory. Some inconsistencies in the strategic maneuvering of each author are brought into attention, dwelling upon the possible reasoning for their respective successes and failures. The complex issues that may be seen responsible for this process are analyzed in the essay along with additional Russian avant-garde figures who exploited the same pragmatics of performing practices.
机译:这篇论文讨论了俄国两位先锋派革命诗人弗拉基米尔·玛雅科夫斯基和韦莱米尔·赫列布尼科夫的死后遗留问题,并在很大程度上借鉴了这方面的回忆录。这篇文章考察了后富图尔主义公共丑闻的实用性,这种丑闻有助于确立/破坏每位诗人辩论的遗产的“象征性价值”。本文讨论了各种文化分析方法,包括布迪厄的符号资本概念,言语行为理论和对公共记忆的不同理解。每个作者在策略操作上的一些不一致之处都被引起注意,详细讨论了他们各自成败的可能原因。在这篇文章中,分析了可能被认为是造成这一过程的复杂问题,以及其他俄国前卫人物,他们利用表演实践的相同语用。

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