首页> 外文期刊>Neohelicon >Religious discourse and metapoetic reflection in Jean Paul’s novels: The “Rede des toten Christus”, the “Clavis Fichtiana”, and Kain’s monologue in “Der Komet”
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Religious discourse and metapoetic reflection in Jean Paul’s novels: The “Rede des toten Christus”, the “Clavis Fichtiana”, and Kain’s monologue in “Der Komet”

机译:吉恩·保罗小说中的宗教话语和隐喻性反思:“里德·克里斯汀”,“克拉维斯·菲希蒂亚娜”和凯恩的独白在“科莫特小说”中

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Starting from a brief sketch of Jean Paul’s general attitude toward religious and theological discourse and its biographical background, the study focusses on central texts of the German writer which refer to sermons and the communication practice of religious teaching as well as topics of metaphysical interest. In this thematic context, especially the interelation between body and soul and the issue of mortality and immortality are of crucial relevance. Several of Jean Pauls most important novel chapters are written as poetical sermons: “The Dead Christ proclaims that there is no God”, “Clavis Fichtiana”, and Kain’s monologue in “Der Komet”. They turn out to be altogether auto-reflexive, poetological texts: By imagining literary characters and narrators, and even his own literary alter ego “Jean Paul” as preachers addressing a community of listeners, Jean Paul models literary communication stressing the effects of written texts on their reader’s souls. With regard to the issue of mortality, his poetical sermons can be described as thought experiments exploring nihilistic concepts.
机译:从简·保罗对宗教和神学话语及其传记背景的一般态度的简要概述开始,该研究集中于德国作家的中心文本,这些文本涉及讲道和宗教教学的交流实践以及形而上学的话题。在这一主题背景下,尤其是身心之间的相互关系以及死亡和永生的问题至关重要。吉恩·保罗(Jean Pauls)最重要的小说章节中有几篇以诗歌的讲道写成:“死基督宣称没有上帝”,“克拉维斯·菲希蒂亚娜(Clavis Fichtiana)”和凯恩的独白。事实证明,它们完全是自动反身的诗意文本:通过想象文学人物和叙述者,甚至他自己的文学改写自我“让·保罗”,作为向听众群体宣讲的传教士,让·保罗模仿文学传播来强调书面文本的效果在他们读者的心灵上。关于死亡问题,他的诗歌布道可谓是探索虚无主义概念的思想实验。

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