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Diversity, difference and nation: Indigenous peoples on Mexican screen

机译:多样性,差异与民族:墨西哥银幕上的土著人民

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摘要

This article draws on constructivist theories of identity that regard the self as coming into existence through interaction with the other. It investigates the discursive formation of Indigenous people in the forging of Mexican national identity. The aim of this article is to show how difference has been managed and deployed in the establishment of national Mexican identities from independence until the present. This is done with reference to visual culture and film and illustrated with examples from the ‘Golden Age’ as well as ‘the New Mexican Cinema’.View full textDownload full textKeywordsnationalism, diversity, Mexico, film, identityRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14608944.2010.520982
机译:本文借鉴了建构主义的身份理论,这些理论认为自我是通过与他人互动而存在的。它调查了伪造墨西哥民族身份的土著人的话语形成。本文的目的是说明从独立到现在,如何在建立和管理墨西哥民族身份中区别对待。这是参考视觉文化和电影来完成的,并以“黄金时代”和“新墨西哥电影院”为例进行说明。查看全文下载全文关键字民族主义,多样性,墨西哥,电影,身份相关变量addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14608944.2010.520982

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  • 来源
    《National Identities》 |2010年第4期|p.413-424|共12页
  • 作者

    Armida de la Garzaa*;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 13:14:16

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