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Staging the nation at expos and world's fairs

机译:在博览会和世界博览会上展示国家

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World's fairs provide a stage on which nations display and promote their identities in both a global and commercial context. From the 1851 Great Exhibition, nations identified themselves via mass arrays of products and materials. As the technology of display came to dominate in the twentieth century, nations used film to project their identities through amusing experiences for visitors. In contemporary Expos, national displays blend corporate branding techniques with the language of cosmopolitan universalism, presenting films that offer intimate narratives, with few national references, designed to appeal sentimentally to the visitor. National identity is paradoxically conveyed through personal, affective experience.View full textDownload full textKeywordsnational identity, national brand, world's fairs, expos, exhibitions, Expo 2010Related var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14608944.2012.677817
机译:世界博览会为各国提供了一个在全球和商业环境中展示和推广其身份的舞台。从1851年的大展览开始,各国通过大量的产品和材料来表明自己的身份。随着显示技术在20世纪占主导地位,各国使用电影通过为游客带来有趣的体验来投射自己的身份。在当代世博会中,国家级展览将公司品牌技术与世界性普遍主义的语言融合在一起,展示的电影提供了亲密的叙述,几乎没有国家参考,旨在感性地吸引游客。民族身份是通过个人的情感体验自相矛盾地传达的。查看全文下载全文关键字民族身份,民族品牌,世界博览会,博览会,展览,2010年世博会相关变量var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,service_compact:“ citeulike,netvibes, twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多“,发布:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14608944.2012.677817

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