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Investigating musical performance: commonality and diversity among classical and non-classical musicians

机译:调查音乐表演:古典和非古典音乐家之间的共性和多样性

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The research project 'Investigating Musical Performance: Comparative Studies in Advanced Musical Learning' was devised to investigate how classical, popular, jazz and Scottish traditional musicians deepen and develop their learning about performance in undergraduate, postgraduate and wider music community contexts. The aim of this paper is to explore the findings relating to attitudes towards the importance of musical skills, the relevance of musical activities and the nature of musical expertise. Questionnaire data obtained from the first phase of data collection (n=244) produced evidence of differences and similarities between classical and non-classical musicians. While classical musicians emphasised the drive to excel musically and technically and prioritised notation-based skills and analytical skills, non-classical musicians attached greater importance to memorising and improvising. Regardless of genre, the musicians all considered practical activities such as practising, rehearsing, taking lessons and giving performances to be relevant. However, while classical musicians attached greater relevance to giving lessons and solo performances, their non-classical colleagues considered making music for fun and listening to music within their own genre to be more relevant. Some underlying processes that may have accounted for the differences in attitudes are explored, including musical influences, age of initial engagement with music and educational background. Points of similarity and differences are discussed, and possibilities for the two musical trajectories to inform and learn from each other are highlighted.
机译:研究项目“研究音乐演奏:高级音乐学习中的比较研究”旨在研究古典,流行,爵士和苏格兰传统音乐家如何加深和发展他们在大学,研究生和更广泛的音乐社区中的演奏知识。本文的目的是探索与对音乐技能重要性,音乐活动的相关性和音乐专业知识的性质的态度有关的发现。从数据收集的第一阶段(n = 244)获得的问卷数据提供了古典和非古典音乐家之间差异和相似之处的证据。古典音乐家强调要在音乐和技术上脱颖而出,并优先考虑基于乐谱的技巧和分析技巧,而非古典音乐家则更加注重记忆和即兴创作。不论类型如何,音乐家都认为实用的活动,例如练习,排练,上课和进行表演是相关的。但是,尽管古典音乐家更加重视授课和独奏表演,但他们的非古典同事却认为创作有趣的音乐和听自己风格的音乐更为相关。探索了可能解释态度差异的一些潜在过程,包括音乐影响力,最初参与音乐的年龄和教育背景。讨论了相同点和不同点,并突出了两种音乐轨迹相互交流和学习的可能性。

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