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Teachers' views of the primary-secondary transition in music education in England

机译:教师对英国音乐教育中小学到中学过渡的看法

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This article investigates the transition and transfer process from primary to secondary school in music from the teacher perspective. Thirteen secondary music teachers from 13 secondary schools throughout England were interviewed along with seven primary-school teachers representing five primary schools. This paper reports interview data from both groups of teachers, which together provide accounts of the transfer and transition process from both sides of what was referred to as 'the humpback bridge' in our previous report on the pupil data (Marshall and Hargreaves 2007). The research investigated teachers attitudes and current practice in the process of transfer and transition and explored whether or not the claims made in advance of the National Curriculum have been met through the creation of a common language and a progressive curriculum covering all ages and stages of education. Furthermore, we looked for any evidence of the continuing existence of the five approaches commonly used by secondary teachers to the introduction of music in the secondary school suggested 10 years ago by Mills (1996). Our results suggest that while some types of liaison activity between schools have increased, the majority of liaison carried out between primary- and secondary-school teachers in music specifically, tends to focus on administration of instrumental lessons. The results also suggest that, in common with findings from Mills (1996), most secondary teachers in music still feel compelled to start music in secondary school by 'starting from scratch'. However, we further suggest that far from being viewed in a negative way, this approach can be developed into a beneficial experience enabling pupils to become familiar with and confident within their new secondary environment.
机译:本文从教师的角度研究了音乐从小学到中学的过渡和转移过程。采访了来自英格兰13所中学的13位中学音乐老师以及代表5所小学的7位小学老师。本文报告了两组教师的访谈数据,这些数据从我们先前关于学生数据的报告(Marshall和Hargreaves 2007)的两个方面共同说明了“座头桥”的转移和过渡过程。该研究调查了教师在过渡和过渡过程中的态度和当前的做法,并探讨了是否通过创建通用语言和涵盖所有年龄和教育阶段的渐进式课程来满足在国家课程之前提出的要求。 。此外,我们寻找任何证据表明十年前米尔斯(1996)提出的中学教师在中学音乐引入中常用的五种方法继续存在。我们的结果表明,尽管学校之间的某些类型的联络活动有所增加,但是大多数中小学音乐教师之间的联络特别是集中在工具课的管理上。研究结果还表明,与Mills(1996)的发现一样,大多数音乐中学教师仍然感到被迫从“从头开始”开始中学音乐。但是,我们进一步建议,这种方法不仅可以被否定的方式所取代,还可以发展为有益的体验,使学生能够在新的中学环境中变得熟悉和自信。

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