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Hybrid spaces and hyphenated musicians: secondary students' musical engagement in a songwriting and technology course

机译:混合空间和有联系的音乐家:中学生在歌曲创作和技术课程中的音乐参与

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摘要

This case study investigates how secondary students (three individuals and three groups) engaged with music and acted as musicians in a Songwriting and Technology Class (STC), a course involving the creation, performance, recording and production of original music with instruments and music technology. The following research question guided the study: In what ways are students engaging with music in the STC? Findings suggest that students engaged as ‘hyphenated musician[s]’ by thinking and acting as songwriters, performers, sound engineers, recordists, mix engineers and producers in ways that were recursive and often overlapping. Students' engagement in these roles was particular to their individual and group contexts. Music education might broaden curricular offerings and reconceptualise classrooms as hybrid spaces to address the shared and idiosyncratic ways of knowing and doing music that students encountered through each role and holistically as hyphenated musicians.View full textDownload full textKeywordsmusic education, secondary, technology, popular music, curriculumRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14613808.2012.685459
机译:本案例研究调查了中学生(三个人和三个小组)如何与音乐互动并在作曲和技术课(STC)中扮演音乐家的角色,该课程涉及使用乐器和音乐技术创作,表演,录制和制作原始音乐。以下研究问题指导了这项研究:学生在STC中以什么方式参与音乐?研究结果表明,学生通过递归且经常重叠的方式思考并扮演作曲家,表演者,声音工程师,录音师,混音工程师和制作人的角色,从而成为“有联系的音乐家”。学生在这些角色中的参与对于他们的个人和小组背景而言尤其重要。音乐教育可能会扩大课程设置和重新概念化教室,使其成为混合空间,以解决学生通过每种角色遇到的共享和特有的认识和做音乐的方式,并从整体上以连字符音乐家的身份查看音乐。查看全文下载全文关键字音乐教育,中学,技术,流行音乐,课程相关的var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14613808.2012.685459

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  • 来源
    《Music Education Research》 |2012年第3期|p.329-346|共18页
  • 作者

    Evan S. Tobiasa*;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 13:13:34

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