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Spatial imagery as key to two mystical experiences of transformation: a comparison between Teresa of Avila and John of the Cross

机译:空间影像是两种神秘的转型体验的关键:阿维拉的特蕾莎修女和十字架的约翰的比较

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The mystical writings of Teresa of Avila and those of John of the Cross can be compared in many ways. The comparative approaches discussed in this paper focus on the use of spatial imagery. Both mystical authors express their transformative experiences in a variety of metaphors. Their choice of these metaphors is not arbitrary. On the contrary, it is very revealing. Several core metaphors display spatial patterns which will be compared and understood in terms of their cultural commonalities and psychological differences. Cultural-historical (von Balthasar), Jungian (Welch, Maas as opposed to Howe), Freudian (Erikson, Riemann), self-psychological (Julian, Frohlich) and object-relational (Barron) explanations will be discussed. It will be argued that psychological differences between the two mystics explain their different use of spatial imagery. Several models, by focusing on the use of spatial imagery, can shed light on the crucial differences between these two mystics, their mystical writings and their mystical experiences even though some models may seem more encompassing than other ones in explaining the specific psychological differences. Attention will also be drawn to the observation that the dynamics of these mystical experiences (as processes of transformation) are reflected in the ways their use of spatial imagery develops.View full textDownload full textKeywordsreligion and human space, space, imagery, mysticism, Teresa of Avila, John of the Cross, psychology of religion, metaphors of spaceRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13674676.2011.607803
机译:可以用多种方式比较阿维拉的特蕾莎修女和十字架的约翰的神秘作品。本文讨论的比较方法集中于空间图像的使用。两位神秘作家都通过各种隐喻表达了他们的变革经历。他们对这些隐喻的选择不是任意的。相反,它非常具有启发性。几个核心隐喻显示出空间模式,这些模式将根据其文化共性和心理差异进行比较和理解。将讨论文化历史(冯·巴尔塔萨尔),荣格安(韦尔奇,马斯,而不是豪),弗洛伊德主义者(埃里克森,黎曼),自我心理学(朱利安·弗洛里希)和客体关系(巴伦)的解释。有人认为,这两个神秘主义者之间的心理差异解释了他们对空间意象的不同使用。通过关注空间图像的使用,一些模型可以揭示这两个神秘主义者,他们的神秘著作和他们的神秘经历之间的关键差异,即使某些模型在解释特定的心理差异方面似乎比其他模型更具包容性。还应注意观察这些神秘经历的动态(作为转变的过程)反映在它们对空间图像的利用发展方式中。查看全文下载全文关键词宗教与人的空间,空间,图像,神秘主义,特蕾莎修女阿维拉(Avila),《十字架的约翰》,宗教心理学,空间隐喻相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13674676.2011.607803

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