I can't help but mention an indelible childhood memory that sur- faced while reading Paolo Decuzzi and Mauro Ferrari's article, "Fantastic Voyages," on page 24 of this issue. It was 40 years ago, in 1966, and I was glued to my seat watching Raquel Welch and Stephen Boyd star in an alarmingly forward-thinking and stunning film called Fantastic Voyage. The screen filled with colors and shapes depicting the inner workings of the human body.
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