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Music piracy: ethical perspectives

机译:音乐盗版:道德观点

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Purpose - This paper aims to examine the issue of illegal downloading of music under an ethical lens. Design/methodology/approach - The theoretical framework observed was one which included three independent variables: individual, situational and experimental elements. The dependent variable of the study was legal vs illegal downloading of music. A 20-item questionnaire was completed by 84 respondents. The final four questions in the study were guilt-inducing questions (which the respondent was informed of in compliance with ethical primary research); the remainder of the questions were neutral in nature. Findings - The paper finds that the respondents illegally download despite viewing the act as immoral. Respondents choose to morally disengage from the non-ethical nature of the act in an attempt to avoid feeling guilty about illegal downloading and also to avoid any blame being attributed to them personally. Many respondents feel the act of illegal downloading is simply today's reality and that there is nothing wrong or immoral about illegal downloading. Those who illegally download were less likely to attack the activity for being wrong. Active music fans were more likely to engage in illegal downloading than passive ones. Being a student versus being gainfully employed did not affect downloading behaviour. Research limitations/implications - A limitation of the study was the difficulty in getting people to disclose the truth about their own ethical violations. A related limitation was the difficulty in obtaining respondents, since participation in such a study meant revealing their music consumption behaviour. However, in the end, social networking proved to be a successful way of recruiting participants. Practical implications - The results cast light on the obstacles managers in the music business face in eliminating music piracy. Social implications - The results show the reasons for the difficulties in eliminating this widespread crime, because of the ethical ambiguity involved. Originality/value - The study has the effect of explaining music piracy very clearly through the application of ethical/psychological theory. This has not been done before.
机译:目的-本文旨在从道德的角度研究音乐的非法下载问题。设计/方法/方法-所观察到的理论框架是一个包括三个独立变量的框架:个体,情境和实验要素。该研究的因变量是音乐的合法下载与非法下载。 84位受访者填写了20项问卷。研究中的最后四个问题是引起内的问题(被告知被调查者符合道德基础研究的要求);其余问题本质上是中立的。调查结果-该论文发现,尽管被调查者认为该行为不道德,但他们还是非法下载。受访者选择从道德上摆脱该行为的不道德性质,以免对非法下载感到内,并避免对个人造成任何指责。许多受访者认为非法下载的行为仅仅是当今的现实,非法下载没有任何错误或不道德之处。那些非法下载的人不太可能因错而攻击该活动。主动音乐迷比被动音乐迷更可能从事非法下载。作为一个学生而不是一个有酬的工作,并不影响下载行为。研究的局限性/含义-研究的局限性在于难以使人们披露有关其自身道德违规行为的真相。一个相关的限制是难以获得受访者,因为参与这样的研究意味着揭示他们的音乐消费行为。但是,最终,社交网络被证明是招募参与者的成功方法。实际意义-结果揭示了音乐业务经理在消除音乐盗版方面所面临的障碍。社会影响-结果表明,由于涉及的道德歧义,难以消除这种广泛犯罪。原创性/价值-通过运用伦理/心理学理论,这项研究可以非常清楚地解释音乐盗版行为。以前没有做过。

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