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Deathly Passion: Oshima's In the Realm of the Senses and the Transgressive Character of Sexuality and Religion

机译:死亡的激情:大岛的感性世界和性与宗教的过犯性格

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摘要

Oshima's film In the Realm of the Senses is an early example of what today is called ‘artcore’: films that employ the transgressivity of the representation of sexuality in order to discuss its meaning for human existence. This transgressiveness is intensified by the connection between sex and death that the film establishes. This article understands transgressivity as a positive value, arguing that the analogy between sexual and religious experiences is reinforced by the film's uncovering of the irresolvable ambivalence of sexuality. The analysis of the representation of a transgressive sexual relationship upon the background of Georges Bataille's reflections on sex, death and the sacred, shows how the film achieves a broader perspective on the meaning and role of sexuality in human life, and how precisely in sexuality's transgressiveness and ambivalence the sacred is evoked.
机译:大岛的电影《感官世界》是当今所谓的“艺术核心”的早期例子:利用性的表现形式的超越性来讨论其对人类生存意义的电影。电影确立的性与死亡之间的联系加剧了这种过犯。这篇文章将超越性理解为一种积极的价值,认为电影的揭露表明了性与宗教经验之间的类比,因为影片揭示了无法解决的性矛盾。在乔治·巴塔耶(Georges Bataille)对性,死亡和神圣性的思考的背景下,对性侵性关系的表征进行分析,表明影片如何在性生活的意义和作用以及性的过犯精确度上获得更广阔的视野和矛盾的精神被唤起。

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  • 来源
    《Literature and Theology》 |2009年第3期|p.332-343|共12页
  • 作者

    Stefanie Knauss;

  • 作者单位

    Fondazione Bruno Kessler, Centro per le Scienze Religiose, Via S. Croce, 77, I-38122 Trento, Italy stefanie.knauss{at}gmail.com;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 01:04:43

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