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Like a Rolling Stone

机译:就像一个滚动的石头

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The last few months haven't turned out quite as Jann Wenner might have liked. The golden anniversary Rolling Stone, the magazine to which he is inextricably linked as its founder/editor/publisher, has been marred by the publication of Joe Hagan's Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine (Knopf). Wenner initiated and endorsed the biography before he discovered the almost totally unflattering portrait therein. The HBO documentary Rolling Stone: Stories from the Edge is far more in line with Wenner's conception of the magazine (and himself), recounting journalistic triumphs over the last half century, which is unsurprising as the film was produced by the magazine. Throughout its history, Rolling Stone advocated for emerging artists that harken back to 1960s rock and roll while overlooking many albums that became classics; the following list includes some of the publication's major hits (and a few misses).
机译:过去几个月来,Jann Wenner可能并不满意。黄金周年纪念版《滚石》(Rolling Stone)与他的创始人/编辑/出版商有着千丝万缕的联系,而乔·哈根(Joe Hagan)的《粘手指:简·温纳的生平与时代》和《滚石杂志》(Knopf)则对其造成了损害。温纳在发现其中几乎完全不讨人喜欢的肖像之前就发起并认可了这本传记。 HBO的纪录片《滚石:边缘的故事》更符合Wenner对杂志(和他本人)的构想,讲述了过去半个世纪以来新闻界的胜利,这并不奇怪,因为这部电影是由该杂志制作的。在整个历史中,Rolling Stone倡导新兴艺术家,这些艺术家可以追溯到1960年代的摇滚乐,同时俯瞰着许多成为经典的专辑。以下列表包含了该出版物的一些主要命中(以及一些未命中)。

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  • 来源
    《Library Journal》 |2017年第20期|60-60|共1页
  • 作者

    Rob Kemp;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 23:17:48

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