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God's Architect: Pugin and the Building of Romantic Britain

机译:上帝的建筑师:普金与英国浪漫主义建筑

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At over 500 pages this seems at first a big book on a relatively short life. But Augustus Welby Northmore Pugin (1812-1852) was so prodigiously active and Rosemary Hill is so assiduous and detailed in her research that there is much to say, and far from being verbose, her text is terse and accurate, even economical. The creative individual is the focus, and the treatment is strictly chronological, which was perhaps necessary to show the many-layered complexity of the career. It is more biography than architectural monograph, but the work is consistently and perceptively discussed in relation to the life, and an extended work list is included. Because of its sparse illustration, it can hardly replace earlier studies like that of Phoebe Stan ton or Atterbury's collection: its role rather is to cast new light on Pugin's character and circumstances and to place him within his cultural and political times, between the world of Jane Austen and the age of steam, as Hill so aptly puts it (5).1
机译:一开始,这本超过500页的书似乎是一本相对较短的书。但是奥古斯都·韦尔比·诺斯莫尔·普金(Augustus Welby Northmore Pugin,1812-1852年)如此活跃,罗斯玛丽·希尔(Rosemary Hill)的研究如此刻苦和详尽,以至于有很多话要说,而且远不冗长,她的文章简洁,准确,甚至经济。富有创造力的个人是工作重点,严格按照时间顺序进行处理,这可能对于显示职业的多层复杂性是必要的。它比建筑学专着更多的是传记,但与生活有关的工作却始终如一地,敏锐地进行了讨论,其中包括扩展的工作清单。由于其稀疏的插图,它几乎无法替代像Phoebe Stan ton或Atterbury的收藏之类的早期研究:它的作用是为普金的性格和处境提供新的视角,并将他置于普金的世界之间的文化和政治时代。希尔(Hill)恰当地指出了简·奥斯丁(Jane Austen)和蒸汽时代(5).1

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